Five: Sid & Nancy, videotapes, tragic romance, and The Artist’s Responsibility

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Gary Oldman doesn’t like Sid & Nancy. He and the director, Alex Cox, don’t seem to like one another at all, actually. Cox’s issue with his once-lead actor seem to have to do with his objections to Oldman trashing the movie, which, other than Repo Man, is Cox’s strongest film. Oldman, in response to questions about S&N has, on several occasions, stated that he dislikes the movie, he dislikes his work in it, and he strongly dislikes the subject it portrays: the downfall of Sid Vicious, a formidable member of the iconic (if you’re into punk) band The Sex Pistols, and his girlfriend, Nancy Spungen.

  • Sid & Nancy’s ranking on the Oldometer: 7/10
  • Gary Oldman character quality: Sid Vicious wasn’t a good guy, and I can’t speak as to whether or not the movie glorifies his existence. Still, despite his complaints about the movie, Oldman turns in one of his most celebrated performances here, and I think his interpretation of Vicious as pathetic and child-like is fantastic. Despite sinking into the mind-numbing representation of a guy who can’t even tell when he’s in over his head, Oldman is both hilarious and occasionally heartbreaking. (Also, he uses the phrase “noddy blinkums” which I don’t think I’ve ever heard before in my life, and I can’t stop laughing about it.)
  • Does Gary die in this one? Yep. Well, we don’t see it happen, but it happens…

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