Twelve: The Space Between Us, Daddy Issues, and Appreciating the Wonders in Our Own Backyard

Oh boy. I plead very guilty to initially hoping that The Space Between Us might be a decent enough YA-targeted film. It has a number of vaguely interesting elements that might have been strung together to make a vaguely interesting movie, or, say, one that was better than the last Nicolas Sparks movie I had the misfortune to see. Space features Mars colonization, a baby born on a space shuttle, daddy issues, a young romance, a few homages/direct references to the classic Wim Wenders film Wings of Desire, commentary on the American foster system, and, obviously, Gary Oldman. Also worth noting is this film has NO ties to any YA literature– this is not an adaptation of the latest sci fi dystopian love triangle best seller, it’s 100% original material. This must be remarked upon because almost nothing in this quagmire of nonsense feels original or true or even passably sweet.

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Sorry for all the negative space, Gary.
  • The Space Between Us’s ranking on the Oldometer: 2/10
  • Gary Oldman character quality: Gary is Nathaniel Shepard, CEO of some kind of corporation that is responsible for putting together the very first team of Mars colonizers. He has some kind of brain benign tumor thing which does not interfere with his life on earth but may cause his brain to explode if he were to venture into outer space. This is much to his chagrin, because he looooves space sooooo much. He’s got the hots for space! He wants to marry it. Anyway. Gary’s fine here, he does his best to blend into this bizarrely bland story. The screentime spent on Nathaniel is the most interesting by far, but his appearance in this hogwash is another mystery I’m out to unravel.
  • Does Gary die in this one? No, but I wish for his sake that he had.

Continue reading “Twelve: The Space Between Us, Daddy Issues, and Appreciating the Wonders in Our Own Backyard”

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Five: Sid & Nancy, videotapes, tragic romance, and The Artist’s Responsibility

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Gary Oldman doesn’t like Sid & Nancy. He and the director, Alex Cox, don’t seem to like one another at all, actually. Cox’s issue with his once-lead actor seem to have to do with his objections to Oldman trashing the movie, which, other than Repo Man, is Cox’s strongest film. Oldman, in response to questions about S&N has, on several occasions, stated that he dislikes the movie, he dislikes his work in it, and he strongly dislikes the subject it portrays: the downfall of Sid Vicious, a formidable member of the iconic (if you’re into punk) band The Sex Pistols, and his girlfriend, Nancy Spungen.

  • Sid & Nancy’s ranking on the Oldometer: 7/10
  • Gary Oldman character quality: Sid Vicious wasn’t a good guy, and I can’t speak as to whether or not the movie glorifies his existence. Still, despite his complaints about the movie, Oldman turns in one of his most celebrated performances here, and I think his interpretation of Vicious as pathetic and child-like is fantastic. Despite sinking into the mind-numbing representation of a guy who can’t even tell when he’s in over his head, Oldman is both hilarious and occasionally heartbreaking. (Also, he uses the phrase “noddy blinkums” which I don’t think I’ve ever heard before in my life, and I can’t stop laughing about it.)
  • Does Gary die in this one? Yep. Well, we don’t see it happen, but it happens…

Continue reading “Five: Sid & Nancy, videotapes, tragic romance, and The Artist’s Responsibility”